Ass#1_DraftVideoPitch_CatherineKnight

Catherine Knight Ass#1-Video Pitch for DGTL12010 Visual Storytelling. References Ali’s Wedding 2017, motion picture, Jeffrey Walker, Madman Entertainment, Australia. Barry Lyndon 1975, motion picture, Stanley Kubrick, Hawk Films, Peregrine Productions, USA, UK. Burke-Weiner, L n.d., How the masters move: creative…

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Catherine Knight Ass#1-Video Pitch for DGTL12010 Visual Storytelling.
References
Ali’s Wedding 2017, motion picture, Jeffrey Walker, Madman Entertainment, Australia.
Barry Lyndon 1975, motion picture, Stanley Kubrick, Hawk Films, Peregrine Productions, USA, UK.
Burke-Weiner, L n.d., How the masters move: creative camera play, viewed 12 August 2020, https://www.videomaker.com/article/2946-how-the-masters-move-creative-camera-play
Coplan, A 2006, ‘Emotional contagion responses to narrative fiction film’, Film Studies, no. 8, Summer, pp. 26-38, CQUniversity eUnits, http://moodle.cqu.edu.au/
Hot Fuzz 2007, motion picture, Edgar Wright, Universal pictures, UK.
Mateu-Mestre, M 2010, Framed Ink: Drawing and composition for visual storytellers, Design Studio Press, Culver City, CA, USA.
No Film School 2019, Camera angles, shots, and movement: the pan, video, 7 May, viewed 30 July 2020, https://www.youtube.com/watch?v=rYFB7_0MvHo
Rear Window 1954, motion picture, Alfred Hitchcock, Paramount Pictures, USA.
The Shining 1980, motion picture, Stanley Kubrick, The Producer Circle Company, Peregrine Productions & Hawk Films, USA.
Wikipedia 2020, Shaky camera, viewed 2 August 2020, https://en.wikipedia.org/wiki/Shaky_camera

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